CONCERT REVIEW: HOTEL MIRA W/ DUST CWAINE AT HOLLYWOOD THEATRE – JUNE 24, 2023

We are big fans of Hotel Mira here at The Permanent Rain Press. From the Sharkweek EP to Perfectionism, the band’s sound has consistently developed over the years, surviving new members and name changes. A stunning punk-rock essence is maintained, and an emphasis on live performances has cultivated a loyal fan following.

Like many talented Canadian musicians, the band has made their exodus to Los Angeles. While we love to see them thriving in the big leagues, it is always nice to feel the hometown love. Fans sold out the Hollywood Theatre on June 24th to see Hotel Mira’s final show on their Dancing with the Moonlight North American tour.

The audience was first treated to a riveting cabaret performance by the established drag icon Shanda Leer. He belted out the beautiful “That’s the Way It Is” by Celine Dion and had the audience laughing about the bisexual lighting in the venue.

Up next was Dust Cwaine, a non-binary singer-songwriter and drag artist. Bringing along the River Children band for support, they put on a humorous, bubbly, and nuanced show. Touching upon important topics such as fatphobia, body positivity, and queer identity, Dust Cwaine quickly created a safe and inclusive atmosphere.

They played through 90’s punk-pop influenced tracks including the spiritual “Hearts in Atlantis,” and the dejected “To Be Okay.” Acoustic notes accompanied sturdy vocals and earnest lyrics: “Tell me what it feels like to be okay / tell me what it feels like to love your body.” Dust Cwaine captured the pain of heartbreak with “Seventeen.” They healed and reclaimed inner peace with steady strings and catchy lyrics: “Am I too old to stop believing in destiny / I wasn’t enough but I gave you the best of me.”

Hotel Mira kicked off their setlist with the intense and electrifying “Everything Once.” A song written about the loss of a friend. Charlie Kerr’s voice showcased its unique animation. The band played through recent releases, including the beachy, on edge “Fever Pitch,” the racing, romantic “Eventually,” and the adrenaline-inducing, metallic “Dancing With the Moonlight.” The latter was partly produced at Bays’ Tugboat PI. facility in New Westminster. Clark Grieve’s guitar hooks are razor sharp, and the song gives off a gritty, ELO-esque vibe. Lyrics of discomfort and self-doubt document the inner struggles of chasing your dreams in the Mecca of entertainment: “I’m thinking of changing my name / A private life that I would trade / For blinding lights and an early grave.”

Perfectionism songs featured heavily on the setlist. “Jungle,” a lively and bold tune, benefitted from Cole George’s dynamic drumming. The audience loudly sung its iconic lyrics: “I can’t wait to lose it ‘cause everyone cool is a head case / My mind got polluted by rock stars and suits and a new wave.” Hotel Mira also played sweet and cheery “The Eyes On You,” the epic and cathartic “This Could Be It For Me,” and the reflective, downcast “Speaking Off The Record.” Mike Noble’s reliable, rich bass reinforced raw words: “15 of my closest friends / Walked me right up to the ledge / ‘Everyone loves you,” they said / So why do they leave me for dead.”

Kerr had a beaming stage presence, alternating between snappy movements and gracefully dancing across the stage. He whipped around the mic, tore off his tank top, held the hand of an audience member, and jumped into the crowd on the floor. His genuine interest in building a rapport with the crowd stood out. Kerr asked the audience who experienced a breakup and got everyone to curse the ex-lover out. F*ck you, James!

Older releases played included the fiery and frantic “Ginger Ale,” voltaic “Circulation,” and urgent and passionate “Southern Comforting.” These fan favourites evoked a storied local history.

Fun, playful and authentic, Hotel Mira’s live concert flew by. Seductive synths and punk-rock unleashed vibrant melodies. Charlie Kerr’s stage persona is wildly entertaining–something not to be missed. The night ended with nurtured bonds and musical satisfaction, as anticipation grows for Hotel Mira’s sophomore album.

Written by: Jenna Keeble

Written by The Permanent Rain Press